THE RED CARPET

THE RED CARPET

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The Red Carpet is a documentation photograph of an architectural intervention and performance that transposes a Ukrainian Bessarabian rug onto the steps of the Sydney Opera House. In the work, the intervention functions as a symbolic red carpet for the building, foregrounding the often-unacknowledged labour of women’s domestic arts as a foundation upon which monumental architecture and architectural authorship is built.


Embedded within the rug’s ornamental patterning is a data-map of damage across Kyiv’s Maidan Nezalezhnosti, surveyed by the artist following the pro-democracy uprisings that preceded Russia’s invasion of Ukraine. By combining data visualisation with textile form, The Red Carpet situates itself within a broader lineage of women recording experiences of conflict through materials historically available to them - needle, loom, and thread transforming textile practice into an instrument of witness.


Photographed overnight earlier in the year, the work incorporates on-site track-mapping alongside set construction and post-production, and incidentally records the bushfire haze that marked Australia’s catastrophic summer. In dialogue with architect Jørn Utzon’s vision for the Opera House as a civic gathering place — a contemporary town square — the work positions the building as a site of protest and solidarity. The Red Carpet draws a line between the artist’s two homes, articulating a shared demand for humanitarian justice across geography and history.