GODDESS IN THE MACHINE

GODDESS IN THE MACHINE

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Hollywood has long shaped our collective ideas of beauty. This project asks what happens when those standards are increasingly formed by digital platforms, algorithms, and synthetic image-making instead. From face filters to generative AI, emerging technologies are reshaping not only how we appear, but how we imagine ourselves. As virtual identities take up more space in everyday life, new modes of representation begin to surface - bold, uncanny, expressive, and at times surreal.


Developed for ACMI in collaboration with Junior Major, the project invites audiences to“wear” a series of speculative digital looks in augmented reality, informed by artificial intelligence. Drawing on text prompts and reference imagery from ACMI’s collection, Herrington generated and iteratively refined a suite of designs using Stable Diffusion and related AI systems, cycling images through multiple rounds to evolve each aesthetic. These outputs were then translated into wearable 3D filters. The resulting work offers a glimpse into a possible future of self-presentation, where identity is fluid, performative, and mediated through AI-driven visual systems.

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